Search

Bo Sanders: Public Theology

updating & innovating for today

Open Search
Tag

half time

Critical Questions: part 2

Originally published as ‘The Silent White Guy and Invisible Black Women’. beyonce-super-bowl1

I am glad that people liked the idea of Critical Theory (from part 1) and the structure of the questions that I put forward.

 I did notice 2 places where the conversation trickled to an drip. 

  • One is the issue of what white guys are allowed to talk about.
  • Two is the way to talk about the role of black women in our society without picking on Beyonce.

Let me give those some background:

My friend Hollie Baker-Lutz tweeted  a sentiment that I hear quite frequently

“Uh oh, overheard in the university cafe: “and I can’t say anything in that class cuz I’m a white male, which is the worst thing u can be.”

I get this all the time from guys young and old alike.  I think something may be missing from that equation however.
Here are two things it would be helpful to add to the mix:

  1. an acknowledgement that the world is changing.
  2. a familiarity of the word hegemony.

If you add those 2 things, it has been my experience that people are generally open to hear what you have to say. People are quite interested.

What they are not interested in is the hegemonic refrain.  See, here is the problem: because that is the dominant cultural narrative … they have already heard it. They know it well. They may know it better than you because they have had to deal with it –  whereas you have only assumed it and benefited uncritically from it.

The second issue came from my friend Janisha when she wrote in response to part 1 post:

I appreciate your article and your attempt to think deeply. I don’t think anyone except for black women can truly determine what are primary and secondary issues.
The place of black women in society as a primary issue has with it endless complications, including “taking back one’s physicality in the face of generations of oppression and marginalization.”
My place in this culture is directly linked to taking back my physicality, because my black womanhood is my physicality. They aren’t different. they cannot be separated. I will argue again, that this conversation is difficult to have unless you are a black woman, because who else can fully understand the implications of Beyonce?

MP responded: 

I get what you (Janisha) are saying about the black woman conversation and I don’t want to butt into it, white man that I am. But that conversation would be about actual black womanhood, whereas this one is about public spectacle, one created and much enjoyed by white men. So there’s a white man conversation to be had about why we (white men) have created a category of “black women” who occupy this particular place in our spectacle. 

… Bo, I wonder how to tackle the issue of “what place black women hold in our culture” without picking apart actual cases like Beyonce’s half-time show??

MP makes 2 excellent points!  

– The first situation I would compare to ‘reader response’ approaches to text. We have the author-text-reader.
In this case we have Beyonce-Performance-Viewer.

So each of us viewers is related to the performance differently so ‘white men’ and ‘black women’ may be relating to the performance differently.

– In the second I just think that we need to be VERY clear the difference between an example and an anecdote.  Focusing in one example can be illustrative or it can be problematic.

I would hesitate to use this performance by Beyonce as an example – she is not the only one who dances like this. Lots of performers do. Also white women (like Christina and Britney) do.   So it is not unprecedented.

NFL Cheerleading squads do many of the same moves in much the same outfits … the difference is that
A) they don’t have a microphone  and
B) we don’t know their name.

Which is a HUGE difference.
If we want to talk about male sexuality and football we should have the Cheerleader conversation. That is every team – every week.  Women walking

If we want to have the ‘place that black women hold in our society’ conversation, then we would ask a different set of questions. Like ‘where were the other black women during the 5 hour broadcast of America’s largest TV event of the year?’  Since it is a commercial event … maybe we would even take a look at the commercials and ask how black women were represented.

Either way – isolating the one performance by Beyonce is not our best starting point.

2

Critical Questions: part 1

Pepsi Super Bowl XLVII Halftime ShowOriginally published as ‘Beyoncé and the Bigger Question’.

Over the last 2 weeks I have watched  the blowback over the Beyoncé SuperBowl Half-Time Show with great interest. I have read several interesting articles – both in support and in criticism – of the spectacle.

This is a part of what is becoming a theme for me. I will link to part 2 and 3 as I post them today.

I get why people want to talk about her outfit, her moves, and her assembled cast of all females – about modesty, sexuality, and female empowerment. I get why those are conversation points.

What is becoming a trend, however, is that I have little interest in that conversation – not until we have a more significant conversation first.

I think that it is time I lay all my cards on the table.

While I was in seminary, my mentor Randy Woodley, showed me how to look at bigger systems and structures than I was used to. I have continued down that road and during my time at Claremont have been in dialogue with a school of thought called ‘Critical Theory’.

Critical Theory has taught me to ask 3 initial questions in order to examine an issue:

  1. Is there a pattern visible?
  2. Is there something behind the main thing?
  3. Is there any issue of power differential?

The Critical part is that we are going beyond the initial perceptions, the popular approach and the cultural conversation. The Theory part is that we are going to see if we might offer an explanation about the deeper issue.

SO let’s ask our 3 questions about the SuperBowl Half-Time hullaballoo.

  • Is there a pattern visible?  

I would argue that there is. I noticed it just before kickoff – during the Nation Anthem to be specific. Alecia Keys was introduced, Jennifer Hudson had just sang with the kids from Sandy Hook … and I knew that Beyoncé was the halftime show.

I thought to myself:

“It’s odd that the only 3 black women involved in this TV spectacular are all singers.” Pam oliver

I noticed that CBS didn’t even have a black female sideline reporter like Pam Oliver (on FOX) for its NFL broadcasts. I watched the rest of the festivities – including all the military stuff – and was struck by the noticeable lack of black women associated with the event. Walter Payton’s daughter presented Jason Witten with the NFL Man of the Year award … but that was about it.  None of the coaches or commentators … not even many of the commercials involved black women.  This seemed significant since so many of the on-screen TV personalities, coaches and players are black.

  • Is there something behind the main thing? 

It is easy to see the answer to this one. The answer is consumerism. While the game itself is ‘the main event’ the commercial aspect of the SuperBowl has become at-least or almost as big. Commercials this year sold for a reported 4 million dollars a piece. Like the controversy we covered earlier in the ‘So God Made a Farmer’, commercialism-capitalism-consumerism is the unspoken thing.

It might be hard to see in a short blog post like this but Beyoncé isn’t the telling controversy. The more telling one was the criticism of Alicia Keys’ soulful rendition of the national anthem. People criticized her not just for sitting at a piano (!) but for altering the tried and true version of the song.

In CT when something is assumed – even if unstated – as a dominant form, it is called hegemony. It is a type of power or influence that may or may not be overtly communicated. If one were to look at just the first half of the SuperBowl broadcast, it might be possible to say that the major narrative when it comes black women is twofold:

  • you can sing – we like that.
  • but make sure you do it our way. Don’t do anything too much or too … you know… that’s not why you are here.
  • Is there any issue of power differential?

This is the one that we never get around to talking about. Maybe it’s because we don’t know how to or don’t have frameworks for it.  There is a question that needs to be asked though: who decided that Jennifer Hudson, Alecia Keys and Beyoncé would sing? What did that committee look like?  Who are in those seats of power?

Did the group that decided who would sing look like Jennifer Hudson, Alecia Keys, and Beyoncé?

I don’t know, I’m asking an honest question. It’s the tough question that no one wants to ask. Who has the resources? Who has the influence? Who makes the decisions? Who sits in the seats of power?

Now you can see why I am not interested in talking about whether Beyoncé should have had more clothes on, should have gyrated less or is a model for taking back one’s physicality in the face of generations of oppression and marginalization. 

Those are all secondary conversations.

The primary conversation is about what place black women hold in our culture.

It is a much bigger conversation with much deeper consequences than if Beyonce’s hips and wardrobe were appropriate for a Half-Time show.

2

Create a free website or blog at WordPress.com.

Up ↑