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I think a lot about issues of race, gender and class. I read about it and talk it over with people every week. I am working my way through an expensive program in order to write my dissertation about it. I care about matters of diversity and justice a great deal.

Ever since talking to my mentor, Randy Woodley at Wild Goose West last fall I have been thinking about this a little differently. Then with the happenings of the Emergent Christianity thing in Memphis … I thought I would bring out what I have been whittling away at in my workshop.
This is something I am working on and I would love your constructive feedback.

The problem isn’t Brian McLaren speaking at a conference.
The problem is if everyone speaking at the conference looks like McLaren.

The problem isn’t reading a book by a white guy.
The problem is only reading books by white guys.*

The problem isn’t having a man speak up front at church.
The problem is if we only hear men speak from up front at church.

You don’t even listen to podcasts!

Here is what I want to avoid. There was some grumbling on facebook when The Culture Cast was released and it turned out that both Jordan and Christian were white guys. Ironically, almost all the grumbling came from white guys – but that is a different issue.

One female friend said “where are the women podcasters?”

I suggested that since it was a concern of hers … why didn’t she tell us some recommendations. Why is she asking a question?

She responded that she didn’t listen to podcasts.

I was stunned.

I asked “then why do you care? What difference would it make to you?”

It would be like me complaining their aren’t enough black NASCAR drivers. I don’t watch NASCAR. I don’t even know how many black drivers there are. That reality is irrelevant to my existence.

I think that we need to care deeply about things that we are invested in. There are too many issues that matter for too much for us to get tangled in controversies vicariously.

We don’t except tokens.

We need to be careful of tokenism. Let me be clear on this: if you are group of white people who have organized a conference, already have 10 white speakers lined up and then think ‘we need some color – let’s see if we can get Randy Woodley’ … that is token. Randy got no say in the direction and organization nor had any power or influence. You just want to put a microphone in his face and have him do his schtick.

Token is an afterthought that serves primarily to help one feel good about being able to check off a box. If Randy was on the organizing committee – trust me the no conference would look the same.

In contrast to ‘token’ let me offer 3 examples:

Anthony Smith is an emergent voice and influence. He was in the movement before me and helped bring me in. That is not token. That is influence. Anthony Smith is influential.
When Tripp and I organized the Emergent Village Theological Conversation we said “Monica Coleman is our marquee speaker, our cornerstone, our prima donna.” And we did not do anything until she agreed to be our first round draft pick. She got session 1 to start the conference to set the tone and she got session 5 to end the conference so that she had the final word. We built the conference around that structure. We then invited others to come in around her.
When we inherited the Phoenix Big-Tent Christianity event many of the speakers were already in place. It was great to have Richard Rohr, Marcus Borg and Brian McLaren to boost ticket sales. But we wanted to highlight some voices that people had not heard a lot before. So, for instance, we structured the actual sessions that one of the ‘marquee’ voices was asking questions of one of the ‘emerging’ voices. For many people, that was the first time they had heard of Rachel Held-Evans. I will never forget watching her debate Marcus Borg about church folks understanding of creation!

I’m with the band.

Here is my big point:
The problem isn’t that Mumford and Sons are all white guys. We have to look at the way that bands form. It makes sense that the guys of Mumford connect and play.

The problem is if every band on the radio is white guys.

The problem isn’t that Bono is a white guy or that U2 are all white guys.

The problem is if every band on a record label is a bunch of white guys.

We have to learn to distinguish between how a band come together and how the music industry functions.

We also need to do this for church … and for christian conferences.

No conference or podcast is or can be the full expression of the kingdom on earth. It is not nor can it be heaven. It is not supposed to be. Like no band can play every type of music …

I understand our desire for diversity – I just want us to manage our expectations. Our problem isn’t with Mumford and Sons, it’s with the music industry.

The answer isn’t “add a black guy”. That is not how bands work.
Can you imagine somebody saying “why doesn’t Boys 2 Men have a women in it?” or “why doesn’t Destiny’s Child get Ricky Martin to join?”

The problem then isn’t with any church, podcast, organization, conference or person. Our concern is with how that all comes together in a less-diverse way than we would hope for and desperately need.

The answer then is not to ‘add a women and stir’ or to ‘get some color’. That is what we call token – and it is insulting to everyone involved.

The need is to examine the bigger picture. This includes how things are planned, who makes decisions, and in what ways can people access resources.

Here is a timely example: Tripp and I are singers and songwriters. Our friends Callid Keefe-Perry and Steve Knight are as concerned about the impact of technology on the church as we are. We have talking about it whenever we are together. We started this when we lived in 4 different parts of the country. Tomorrow, Steve Night is in town and we are going to record a podcast about the subject.

That is not a problem. We are Mumford, or U2, or The Stones, or the Beatles … we are just a band.
It is not a problem that we sing together – or in this case talk together. The problem comes if we are the only ones you hear.

Just to be clear: 1) I am using this an analogy. 2) I am using the music industry as a positive example.

___________________

*If you find yourself in this situation, here are some books suggestions

Quest for the Living God by Elizabeth Johnson

Christ the Key by Catherine Tanner

Teaching Community by bell hooks

Shalom and the Community of Creation by Randy Woodley

Many Colors or The Next Evangelicalism by Soong Chan-Rah

Triune Atonement: Christ’s Healing for Sinners, Victims, and the Whole Creation by Andrew Sung Park

Originally published as ‘Beyoncé and the Bigger Question’.

Over the last 2 weeks I have watched the blowback over the Beyoncé SuperBowl Half-Time Show with great interest. I have read several interesting articles – both in support and in criticism – of the spectacle.

This is a part of what is becoming a theme for me. I will link to part 2 and 3 as I post them today.

I get why people want to talk about her outfit, her moves, and her assembled cast of all females – about modesty, sexuality, and female empowerment. I get why those are conversation points.

What is becoming a trend, however, is that I have little interest in that conversation – not until we have a more significant conversation first.

I think that it is time I lay all my cards on the table.

While I was in seminary, my mentor Randy Woodley, showed me how to look at bigger systems and structures than I was used to. I have continued down that road and during my time at Claremont have been in dialogue with a school of thought called ‘Critical Theory’.

Critical Theory has taught me to ask 3 initial questions in order to examine an issue:

Is there a pattern visible?
Is there something behind the main thing?
Is there any issue of power differential?

The Critical part is that we are going beyond the initial perceptions, the popular approach and the cultural conversation. The Theory part is that we are going to see if we might offer an explanation about the deeper issue.

SO let’s ask our 3 questions about the SuperBowl Half-Time hullaballoo.

Is there a pattern visible?

I would argue that there is. I noticed it just before kickoff – during the Nation Anthem to be specific. Alecia Keys was introduced, Jennifer Hudson had just sang with the kids from Sandy Hook … and I knew that Beyoncé was the halftime show.

I thought to myself:

“It’s odd that the only 3 black women involved in this TV spectacular are all singers.”

I noticed that CBS didn’t even have a black female sideline reporter like Pam Oliver (on FOX) for its NFL broadcasts. I watched the rest of the festivities – including all the military stuff – and was struck by the noticeable lack of black women associated with the event. Walter Payton’s daughter presented Jason Witten with the NFL Man of the Year award … but that was about it. None of the coaches or commentators … not even many of the commercials involved black women. This seemed significant since so many of the on-screen TV personalities, coaches and players are black.

Is there something behind the main thing?

It is easy to see the answer to this one. The answer is consumerism. While the game itself is ‘the main event’ the commercial aspect of the SuperBowl has become at-least or almost as big. Commercials this year sold for a reported 4 million dollars a piece. Like the controversy we covered earlier in the ‘So God Made a Farmer’, commercialism-capitalism-consumerism is the unspoken thing.

It might be hard to see in a short blog post like this but Beyoncé isn’t the telling controversy. The more telling one was the criticism of Alicia Keys’ soulful rendition of the national anthem. People criticized her not just for sitting at a piano (!) but for altering the tried and true version of the song.

In CT when something is assumed – even if unstated – as a dominant form, it is called hegemony. It is a type of power or influence that may or may not be overtly communicated. If one were to look at just the first half of the SuperBowl broadcast, it might be possible to say that the major narrative when it comes black women is twofold:

you can sing – we like that.
but make sure you do it our way. Don’t do anything too much or too … you know… that’s not why you are here.

Is there any issue of power differential?

This is the one that we never get around to talking about. Maybe it’s because we don’t know how to or don’t have frameworks for it. There is a question that needs to be asked though: who decided that Jennifer Hudson, Alecia Keys and Beyoncé would sing? What did that committee look like? Who are in those seats of power?

Did the group that decided who would sing look like Jennifer Hudson, Alecia Keys, and Beyoncé?

I don’t know, I’m asking an honest question. It’s the tough question that no one wants to ask. Who has the resources? Who has the influence? Who makes the decisions? Who sits in the seats of power?

Now you can see why I am not interested in talking about whether Beyoncé should have had more clothes on, should have gyrated less or is a model for taking back one’s physicality in the face of generations of oppression and marginalization.

Those are all secondary conversations.

The primary conversation is about what place black women hold in our culture.

It is a much bigger conversation with much deeper consequences than if Beyonce’s hips and wardrobe were appropriate for a Half-Time show.

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